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(巴黎人之夜) 德布西/拉威爾/普朗克/米堯法國小提琴作品集 蔓儂.蓋利 小提琴 豪爾赫.岡薩雷斯.布賈桑 鋼琴
在二十世紀初期, 所有的道路通往巴黎. 世界博覽會吸引了大量群眾, 作家海明威,和畫家康丁斯基在此定居, 普魯斯特寫了(追憶似水年華)和考克多(Jean Cocteau)寫了(地獄機器), 狄亞基列夫的俄羅斯芭蕾舞團讓舞蹈產生革命性的變化, 還有德布西, 薩替和史特拉汶斯基造成的醜聞.
第一次以雙重奏一起錄音, 小提琴家蔓儂.蓋利和鋼琴家豪爾赫.岡薩雷斯.布賈桑捕捉到那個時代更新的風味. 以這個流利的詮釋奏鳴曲和德布西,拉威爾,普朗克和米堯的其他作曲, 他們提供在當年法國音樂大膽與現代化特徵的驚鴻一瞥.
At the beginning of the twentieth century, all roads led to Paris. The Exposition Universelle drew great crowds, Hemingway and Kandinsky settled there, Proust wrote A la Recherche… and Cocteau La Machine infernale, Diaghilev’s Ballets Russes revolutionised dance, and Debussy, Satie and Stravinsky caused scandal.
Recording together in duo for the first time, violinist Manon Galy and pianist Jorge Gonzalez Buajasan capture the flavour of that time of renewal. With this eloquent interpretation of sonatas and other pieces by Debussy, Ravel, Poulenc and Milhaud, they offer a glimpse of the audacity and modernity that characterised French music during those years.
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