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| 〈商品編號：M84243363〉 |
 獲得現金積點：7 點 (1點=1元) 說明
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SU4306 布拉姆斯: 鋼琴五重奏 帕菲爾.哈斯弦樂四重奏 吉爾特伯格 鋼琴 Pavel Haas Quartet / Brahms: Piano Quintet (Supraphon)
SU4306
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建議售價 $680元 |
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一次付清特價 95 折 650 元 |
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信用卡紅利折抵刷卡金 ( 接受17家銀行，
紅利折抵辦法 )
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| 運 費 | 單店購物車滿 2000 元(含)以上免運費，未滿者自付運費
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商品所在地 台北市 |
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{"result":"RDR","rscode":"-501","data":"","msg":""} |
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布拉姆斯: 弦樂四重奏/鋼琴五重奏
帕菲爾.哈斯弦樂四重奏
吉爾特伯格 鋼琴
帕菲爾.哈斯弦樂四重奏在錄製德佛札克五重奏專輯時, 下一個是布拉姆斯專輯的主意誕生了. 德佛札克由於他的較年長同事布拉姆斯的善意支持和友誼的鼓勵而終於享譽全球. 布拉姆斯在二十幾歲時也曾得到克拉拉和羅伯特舒曼慷慨的協助. 布拉姆斯和克拉拉的關係也許對f小調鋼琴五重奏, 作品34有些影響力. 原本是構想成一個弦樂五重奏, 在1864年時被布拉姆斯改編成一首給兩部鋼琴的奏鳴曲, 但是連克拉拉也提出懷疑這個版本的聲音. 在期望中的對比和音色豐富性最後以結合了絃樂和鋼琴而達成. 在這五重奏的私人音樂會首演時, 克拉拉舒曼演奏鋼琴部分, 被她形容是具有”交響樂般”的比例. 這個面向在這張帕菲爾.哈斯弦樂四重奏的錄音專輯中明顯的被放在突出的第一首位置. 據稱布拉姆斯原本打算讓g小調弦樂五重奏,作品111成為他最後的音樂作品. 在這種情況下, 這首可能反映出他一生中所珍惜的音樂 – 從貝多芬, 舒伯特, 維也納華爾滋, 和他同時代的華格納, 一直到他最愛的匈牙利舞曲音樂動機(motif).
Pavel Haas Quartet: Veronika Jaruskova - 1st violin, Marek Zwiebel - 2nd violin, Luosha Fang - viola, Peter Jarusek - cello. Boris Giltburg - piano, Pavel Nikl - viola
Their recording of the American Quartet and String Quartet No. 13, Op. 106 (Gramophone Award - Recording of the Year), elevated the Pavel Haas Quartet among the finest performers of Antonin Dvorak's music. This position was subsequently confirmed by a recording of the composer's quintets, made with the violist Pavel Nikl, a founding member of the ensemble, and the pianist Boris Giltburg, winner of the Queen Elisabeth Competition. The album received the most coveted classical music accolades (Gramophone Chamber Award, BBC Radio 3 Record Review Discs of the Year, Diapason d'Or, etc.). While recording the Dvorak quintets, the logical idea of a Brahms album was born. And now it has come to fruition. Dvorak was encouraged by and ultimately attained global fame owing to the kind support and friendship of his older colleague Brahms, who in his twenties had been just as generously aided by Clara and Robert Schumann. Brahms' relationship with Clara is probably also behind the Piano Quintet in F minor, Op. 34. Originally conceived as a string quintet, in the spring of 1864 Brahms transformed it into a sonata for two pianos, yet Clara voiced her doubts about this version's sound too. The desired contrast and richness of colour was ultimately achieved by combining the strings and the piano. Clara Schumann performed the piano part at the private premiere of the quintet, which she referred to as having "symphonic" proportions. This aspect is clearly foregrounded on the present Pavel Haas Quartet recording. Brahms allegedly intended the String Quintet in G major, Op. 111, to be his last piece of music. In this light, it may come across as a reflection of the music he had cherished during his life - from Beethoven, Schubert, the Viennese waltz, his contemporary Wagner, to his beloved Hungarian dance motifs.
From Dvorak to Brahms. A spellbinding "symphonic" chamber music sound.
Johannes Brahms
Piano Quintet F minor Op. 34
1. Allegro non troppo 15:35
2. Andante, un poco adagio 08:32
3. Scherzo. Allegro - Trio 07:14
4. Finale. Poco sestenuto - Allegro non troppo 10:31
Johannes Brahms
String Quintet No. 2 G major Op. 111
5. Allegro non troppo, ma con brio 13:14
6. Adagio 06:09
7. Un poco allegretto 05:29
8. Vivace ma non troppo presto 04:57#AN# |
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{"result":"RDR","rscode":"-501","data":"","msg":""} |
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