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| 〈商品編號：M83189713〉 |
 獲得現金積點：36 點 (1點=1元) 說明
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指揮家 卡爾．安賽爾實況錄音大全集 捷克愛樂管弦樂團 Karel Ancerl: Live Recordings (15CD)
SU4308
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一次付清特價 3580 元 |
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信用卡紅利折抵刷卡金 ( 接受17家銀行，
紅利折抵辦法 )
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商品所在地 台北市 |
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(15CD)指揮家 卡爾．安賽爾實況錄音大全集
蘇克 小提琴/史麥塔納弦樂四重奏
捷克愛樂管弦樂團/布拉格廣播交響樂團
(捷克電台檔案)
CD 1 史麥塔納: 我的祖國
CD 2 莫札特: 第五號小提琴協奏曲/長笛與豎琴協奏曲, 德佛札克: 詼諧風綺想曲
CD 3 貝多芬: 小提琴,大提琴與鋼琴三重協奏曲/第二號交響曲
CD 4 貝多芬: 第八號交響曲 / 孟德爾頌: 第四號交響曲(義大利)
CD 5 德佛札克: 第七,八號交響曲
CD 6 德佛札克: 聖經之歌 / 蘇克: (阿斯拉耶爾)交響曲
CD 7 佛斯特: 第四號交響曲(復活節守夜)
CD 8 諾伐克: 秋之交響曲
CD 9 諾伐克: 牧神潘 / 穆索斯基: 死之歌舞
CD10 德布西: 海 / 夜曲 / 拉威爾: 天方夜譚 / 西班牙狂想曲
CD11 艾爾加: 序奏與快板 / 普羅高菲夫: 斯基泰人組曲
CD12 馬替努: 給室內樂團的大協奏曲 / 第一號交響曲 / 諾伐克: 雙鋼琴協奏曲
CD13 克雷伊奇: 第一,第三號交響曲 / 史特拉文斯基: 鋼琴與木管協奏曲
CD14 亨德密特: 愛樂音樂會 / 米洛斯拉夫.卡貝拉奇: 第五號交響曲
CD15 費爾德: 管弦協奏曲 / 舒霍夫: 共產黨宣言
Recorded at Dvorak Hall of the Rudolfinum, Smetana Hall of the Municipal House and Studio 1 of the Prague Radio between years 1949 and 1968.
Karel Ancerl. One of the most important conductors of post-war Europe. A man who survived the Nazi concentration camps and the avowed anti-Semitism of communist Czechoslovakia. An artist who, through enormous patience and dedication, built the Czech Philharmonic into a world-class orchestra and introduced it successfully at the most important concert halls. From 2002 to 2008, Supraphon issued the highly acclaimed Ancerl Gold Edition with the bulk of his artistic legacy, containing nearly his complete studio recordings with the Czech Philharmonic on 48 CDs. But that was far from everything. Hidden in the archive of Czech Radio, there is a wealth of concert recordings that gives us a more complete picture of this conductor. From that treasury, on 15 CDs, Supraphon has selected repertoire of which studio recordings were not made; that repertoire covers a broad range from Mozart to works by Ancerl's contemporaries. The recordings include masterpieces by Dvorak (Symphonies Nos. 7 and 8, Biblical Songs) and Suk (Asrael,
Ripening), music by composers admired and promoted by Ancerl (Martinu Symphony No. 1 and Kabelac Symphony No. 5), and major works of the worldwide 20th-century repertoire (Debussy, Ravel, Strauss, Prokofiev etc.). The only exception of a "duplication" of a studio recording is Smetana's Ma vlast.
This taping of a Prague Spring Festival concert in May 1968 was one of the last recordings Ancerl made before his definitive departure for Toronto. The concert recordings from the years 1949-1968 document the maturing of this remarkable artist perhaps even more clearly than his studio legacy.#AN# |
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